Thursday 25 March 2010

From the Ruins of Liminopia

Liminopia was a fantasy, a model urban landscape free from constraints of scale constructed of random materials found by chance. It was a series of spatial contradictions, emanating from the Travellers Box which in this incarnation, turned upside down, issued forth from a hilltop an expanding city from the imaginations of the three artist/architects. The dialogues between the architects of this city came more through the internal preconceptions of urban planning, architecture, landscape and the material structure of the urban environment. We embarked on the project with notions of collaboration through conversation, dialogue, dissent and negotiation to construct a city of our choosing only to find that the preconceptions controlled and led us to construct from almost subconscious dialogue with the found materials. Ultimately despite the measured placings of each of the sites that made up the city in its entirety Liminopia in many ways made itself, perhaps less so for the other two architects but for me represents the life of a city which pervades our consciousness, suggests behaviours and subtly subverts and alters our own wishes for the immediate world around us. We are directed not only by our own motivations and the agendas of those who have more power over our cities, and therefore us, but also by our urban world which absorbs all the differing agendas, assumptions, hopes and wishes of its inhabitants and emits these back again in silent and unseen combinations.


Liminopia never had a history, it's (assumed) inhabitants never spoke, it never created an infrastructure that we recognise in our real cities that would enable it to live. Now that it is demolished and its heart, the Travellers Box, has moved on to its next incarnation, we can begin to discuss and decipher the ideas it suggests to us back in the real world. The documentation of its existence can now be created, interpreted and used to create a dialogue and conversation between the three architects to determine what this process of collaboration but also perhaps a wider understanding of the urban environment we share means to us and our fellow city dwellers. SS

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